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Naz, babe in the woods that he is, refuses to say he committed a crime he didn't commit. One curious thing about the show's protagonist is that he's never given any sort of friendly confidant to whom he could explain feelings, thus allowing the audience to gain only some insight into his interiority. Instead, we're doled out details about him sparingly, through his frightened, darting eyes, the way he pauses when he's deciding whether to trust someone. Maybe he's taciturn by nature, but he's certainly not made more talkative by his precarious situation. That said, Naz seems to be operating on an instinctual basis—he doesn't like Crowe, so he resists her pushy advice to plead guilty; and he is similarly wary about allying himself with the predatory Freddy. Putting yourself in prison by lying about killing someone just seems wrong, even if it might be the smart thing to do, so he refuses the plea at the last minute. The audience, just as naïve as Naz, can't help but feel proud of him. (Not that the show ever really convinces you he's going to take the 15 years—that would presumably make the show's last four episodes pretty dull.)Beyond the major themes, the episode contains plenty of the grubby details of life that The Night Of is so good at portraying, especially when it comes to Stone. (If you don't like scenes that send the show off on tangents sometimes, you won't like the show. Full stop.) The defense attorney insists that the light stay on when he has sex with a prostitute he represented; he visits more doctors to get rid of his eczema, which has now turned his feet bloody and scabbed; he goes through the shady business of acquiring Andrea's records from a rehab clinic, which he then flips to Chandra for a profit. We also get more of Freddy, played by Michael K. Williams, who is the sort of prison philosopher-king who responds to an encroachment on his cellphone-renting monopoly by beating the offending inmate to a pulp.Freddy seems menacing, but so does everyone else—even Calvin, the nice jail guide, reveals himself to be unhinged when he throws a scalding hot-water/baby-oil combination on Naz. Out of options, Naz approaches the only authority that can help him: Freddy himself, sitting silently and smoking in his luxurious cell. The Night Of has made a habit of ending on cliffhangers, so this is where the show leaves us this week. It's easy to guess what's going to happen to Naz's attacker, and it's likely not going to be any approximation of justice, legal or otherwise.Follow Harry Cheadle on Twitter.We're made to understand that courtrooms aren't concerned with the truth; they're arenas where two competing sets of facts do battle.