All images from 'Field Niggas.' Photos by Khalik Allah/courtesy of KhalikoVision LLC
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Yeah, it helps me to not take things too seriously. I was in Jamaica working on new material recently. The first few days I was under a lot of pressure. I was working with an agency for the first time after having always worked on my own. I was smoking so much weed and hash out there and it's so sunny, what I was shooting got overexposed. I didn't even balance the meter. I just shot completely blown out. The new film is about spirituality, and I had a man say a prayer for me. That's when I shifted mentally, and I got more comfortable, and I said, "This is me. I'm breaking rules now, I'm in my zone and I can continue to shoot in my own style." Marijuana definitely helps with that. Also any other psychedelics, LSD, DMT, ayahuasca: Those things I recommend to all of humanity.Even though the film is all about faces, you get such a strong sense of place. Did you set out to make a lasting document of that area?
Before I took the film to festivals, it was available for a while for free on YouTube. Someone left a comment underneath calling it "a future artifact." I started thinking about how every person—every victim of drugs—in this neighborhood is about to be eclipsed by the big wave of gentrification that's coming. You can see the plans, especially at Lenox Avenue. They are tearing down smaller buildings, and that whole area is going to be made "safe." So yeah, it is a future artifact.Follow Ashley on Twitter.Field Niggas opens at Independent Filmmaker Project in Brooklyn on Friday, October 16.