Our 10th annual Photo Issue has a couple of things going for it. For one, each of the 39 photographers contributed a photo essay, so everyone's work has a nice narrative to it and the magazine flows really well and blah blah blah. For TWO, the cover is fucking scratch-n-sniff.That's right, if you scratch those naked colored people (#notracist) they will release a funny smell. Oh yeah, each one of the different naked people carries a different stench. We can't promise that all of them are completely accurate (here's looking at you, ocean mist), but we can assure you that if you get your hands on a physical copy of the magazine your fingers will smell like you were just holding a burnt roach of shitty regs. Here's the breakdown:
Alright, we'll shut up about the cover now and let you dive on in. Here's the whos and whats of the thing:Patrick Tsai - The farmEstelle Hanania - Happy PurimLele Saveri - Hooray, Jesus is Dead!Jerry Hsu - Table for OneGavin Watson - Night SketchesBraydon Szafranski - Photos From the Making of "Stay Gold"Chris Nieratko - Lost SubmissionsAsger Carlsen - HesterPeter Beste - ChemtrailsVincent Fournier - The End of the FutureDanielle Levitt - HoneysTim Freccia - The Cowboys of YirolMartin Parr - Posh SnowKen Miller - The Good ShitChristian Lombardi - The Bad ShitMike de Leon - PDCPeter Sutherland - Mark, When You Feel like Talking let Me KnowRichard Kern - MedicatedJason Fulford - Gypsy EyesJosh Tonsfeldt - Five PhotosSlava Mogutin - Crimean HolidayJim Mangan - Color'dBen Ritter - Deep in the BushThe Ardorous - InfatuatedJanicza Bravo - Toupee: Tropical DreamTerry Richardson - Tons of FunKenneth Cappello - Hello, This is the Chocolate FactoryMick Rock - Melvins/Kick/Stick/MickMick Rock - Vile/Linger/Gun/FingerAlex Singh - Getting Tweaked with Tripple NipplesJulian Burgin - One Flash BastardBrayden Olson - Lo-Lifes Then and NowKate Brooks - Selections from "In the Light of Darkness"Jennifer Osborne - In and Out of BanguMax Merz - Morgue MaestrosAnd that's that. As we do with our photo issue every year, every day from now until whenever we drop the ball or get tired of doing it, we'll be posting an interview with the day's featured photographer.To get your hands (and nostrils) on a real life copy of the mag, drop whatever you're doing right now and haul ass to one of the fine establishments on this list. Copies should be there for about another hour or so.
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