
DIAMOND RUGS
S/T
Partisan |
I see what you’ve done here, Diamond Rugs. You made the soundtrack to Beer. Nice job. I can’t wait for the sequel, This is How to Not be a Boring Pussy.
KAYLE MAQLUE |
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DAVID BOWIE
The Rise and Fall of Ziggy Stardust and the Spiders from Mars (40th Anniversary Edition)
Virgin |
Forty years after it was recorded this red-mulleted motherfucker still spreads ’em wide and fucks every other album we’ve reviewed this month, this year, and this decade right in the ol’ petunia without lube. I’m just going to stop typing and email Kelly (the music editor, duh) a picture of my O face.
SOPHIE SAINT THOMAS |
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THE HIVES
Lex Hives
Disques Hives |
When I was younger I spent a lot of time pullin’ e-brakes and smoking Marb Reds in my Honda Accord. I did everything in that car, man. The best time was when my friend Nicole and I decided to eff with the jerkoff cool kids in the senior class (who are now obese or on their third round of rehab). We pulled up as close as we could to a party they were throwing in the middle of the woods, killed the lights and engine, played a cassette tape of my family meowing like cats over the speakers (my family rules), lit off a flare, and shined a million candlepower flashlight into the woods. Everyone peeled out, leaving behind a smoldering fire and dozens of Budweiser cans that Nicole and I briefly explored before going back to my house to watch TV. This Hives album is pretty fun too, especially the fat guy.
OKAY LINDSEY |
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METRIC
Synthetica
Last Gang |
Metric has always sounded to me like Evanescence funneled through an electronic indie juicer. Synthetica feels especially like the decay of an internal crisis, like what you’d blast in your car parked outside a Del Taco before you floored it through the glass door. Also, the name of the album makes me think of Elastica, who were much better than Metric but man have you seen Justine Frischmann lately? Talk about putting down the spoon and picking up the fork. Sheesh.
BLOPHIE |
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NOT BLOOD, PAINT
La Normalidad
Self-Released |
If there’s any band that can make me want to do a striptease, participate in a sacrificial ritual, and join a gospel choir in the span of a single album, it’s Not Blood, Paint. This band terrifies me. I saw them live once and I thought I was getting initiated into some crazy cult (the band name was a comforting clarification, though, especially when I saw all four band members dripping in red liquid). The recorded version doesn’t do that cult-joining feeling justice, but it’s close enough.
PERVANA |
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THE WALKMEN
Heaven
Fat Possum |
While recently going through old boxes I came across one of The Walkmen posters from the You & Me album, and was flooded with remembrance of what a solid, great band they are. That instance kind of represents The Walkmen presence in a nutshell: in and out of the public eye over the last decade but somehow always sounding like a strong memory. Wait, did I just write a poem? No wonder people tell me I’m gay all the time.
ROBIN BACIOR |
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SECRET PROSTITUTES
АРХИВ
Torture Garden |
Secret Prostitutes are a punk band from Texas with a drummer who is also the singer, which he does exclusively in Indonesian. They share members with that band The Energy and sound pretty similar. Up until now it’s been pretty hard to buy their music since they only put out a few hyper limited 7"s and a full-length called Nevermind the KBD, This is ADD where each copy had a custom cover. This collects all their recorded material up until this point and some live tracks. By giving their CD an unpronounceable title they’ll probably manage to stay a few steps ahead of anyone ever knowing who they are.
KAREN DANGER |
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JAPANDROIDS
Celebration Rock
Polyvinyl |
Wait, this is Japandroids? Dudebros, what happened? Why doesn’t this sound like it was recorded in a tin can? Why are there verses and choruses and other stuff on this? Imagine an alternative reality where Thin Lizzy was bestowed with the honor of best band ever, and you didn’t have to go to Wikipedia to find any other cool people from Canada besides Drake (who, really, is a “goofnugget R&B dude” like that tattooer guy said). This is music you put on after you chug a bunch of bottom-shelf whisky and decide to crash your car into your ex’s apartment.
DICK CORVETTE |
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LITA FORD
Living Like
a Runaway
Steamhammer/SPV
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Yes, I am aware that Lita Ford was in The Runaways and will therefore be vaguely punk forever. Yes, I respect Lita’s guitar playing, mainly in the same way I respect really good chess players, or people with a proclivity for making bongs out of household objects. And yes, I have heard “Kiss Me Deadly,” which is totally awesome in the way that all good 80s hair metal songs are totally awesome. None of that stuff, however, changes the fact that Living Like a Runaway is about as edgy as playing Jenga after drinking two Jamba Juices, and four times as stupid. Imagine mixing up the worst parts of Heart, Filter, Counting Crows, and anything Poison has ever released, throw it into an Easy-Bake oven, served undercooked with an extra helping of sterility and garnished with a low-level natural disaster. Lita Ford, I respect you as an icon and a human being, but your album sucks.
DICK CORVETTE |
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MELVINS LITE
Freak Puke
Ipecac |
Now that King Buzzo offers video tutorials for the guitar tabs of Melvins songs on YouTube, you can make your own Melvins Lite music at home! All you need are these simple tools: two clean white dishcloths, a love for Wings, Dr. Lovely’s Feel It Hair Relaxer, and about three decades of musical nerd strength that YOU WILL NEVER HAVE. When a band consistently makes good music for 30 years, there’s not really anything new you can say about them. It’s like attempting to explain to a stranger how special your grandma’s cookies were. They’re fucking cookies. Just eat them and shut up.
LOWMOAN SPECTACULAR |
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NICE FACE
Horizon Fires
Hozac |
It’s been two years since the reclusive Nice Face put out the amazing Immer Etwas. That record was at the height of the lo-fi-home-recording-noise thing, and it was a stand-out. In general it seemed like people who were doing that have cut down on the echoes and flangers and split off in varying directions. Nice Face is still using synth, guitar, yelling, and echo effects but it’s a lot tamer now. It’s still good but now it’s a little more like Warm Leatherette than The Spits.
BOOG PERSON |
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OFF!
S/T
Vice |
This sounds so much like the Nervous Breakdown 7" in terms of songwriting style and the texture of the recording that it feels like this record came from an alternate reality where Keith Morris remained the singer of Black Flag forever. Nothing new or groundbreaking here, but I hate new and groundbreaking as much as I hate people who strive to be cool. I just want records that sound like this, and people who are so uncool they’re actually cool like Keith and Co. here. Seriously, fuck cool people. Especially the ones in LA.
SMELLY KELLY |
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TY SEGALL BAND
Slaughterhouse
In The Red |
Oh my graciousness, how does Ty Segall put out so many records? Meth? Maybe, but I’m just going to believe it’s awesomeness. This is the second of the three records that Ty announced he’d release in 2012. The first was the one he made with White Fence. The third is a solo one. He made this one with his touring band, which includes Mikal Cronin (who made one of the best records of 2011, so deal with it). There’s a definite difference between the energy on this record and Ty Segall’s solo stuff. This is way louder and faster, and Ty’s yelling as loud as he can just to be heard over the music. The title track especially reminds me of “Mr. Moustache” by Nirvana. That is all.
CRONIN’S DISEASE |
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