Indian-born filmmaker and LGBT activist Parvez Sharma's new documentary A Sinner in Mecca is a rare glimpse at a gay man's journey to Saudi Arabia.
A bitter ex-boyfriend seeks revenge in Jurassic World director Colin Trevorrow's first film, Home Base.
To be a white terrorist in American cinema is to enjoy a very basic right: to be complicated, to be messy, to be human.
Rick Famuyiwa's new film melds film genres in an effort to trick moviegoers into seeing it's young black male protagonist as an actual human being. But while breaking down some stereotypes, it also reinforces others.
We talked to Crystal Moselle about her new documentary The Wolfpack, which won the Grand Jury Prize at Sundance 2015.
At 68 years old, the Austrian Oak finally looks mortal. But while he's lost some of his strength, he's found his acting chops.
By aping cinema, video gaming's storytellers have been selling themselves short for years. It's time to embrace the medium's unique possibilities.
We met the daughter of notorious French drug trafficker Gaëtan Zampa in Marseille to talk about her relationship with her father and the city's history as a drug smuggling port.
We sat down with the man behind A Prophet and Rust and Bone to talk about his latest film, Les Cowboys—a modern-day Western that tackles Islamophobia in France.
Jack Nicholson's performance as Bobby Dupea makes for a convincingly churlish asshole, and one I could recognize myself in.
In his new short film, Alberto Roldán explores the triumph and pain of the American dream with a glowing blue doorknob-producing pyramid.
Why do employees at Melbourne multiplexes keep seeing spirits?
What begins as a typical bedtime story between a father and son turns sinister, complete with shootings, scalpings, and death in this short film from filmmaker David Lowery. Sweet dreams.
VICE delves into the world of Wakaliwood—Uganda's thriving, low-budget action film cinema.
"I know what it's like to put a show on and be disappointed with everybody's responses, because you want them to see it the way that you see it."
There's nothing glamorous about throwing it all away too early.
The uncertainty surrounding the future of Melbourne's iconic Astor Theatre is over. But will that last?
Disregard the the scathing reviews and the boos it received at Cannes, Ryan Gosling's directorial debut is a great, dreamy film that captures the American nightmare that is the Great Recession.
Finally receiving a proper theatrical release in the US 23 years after it was made, Rebels of the Neon God is a fitting introduction to Tsai's singular style and a haunting work.
On my off days, I despair. But in general, all this morbid thinking actually thrills me, making me more grateful for every second I'm allowed. And I owe On The Beach for teaching me to stop worrying and to love the bomb.
We talked to Bleeding Skull Video about why it's important not to let low-budget, homemade exploitation films get lost in the annals of time.
We talked to the cult director about new queer cinema, post-punk, and crushing on Eva Green.
We talked to some of competing filmmakers about why Africa needs FESPACO film fest, and picked out the best of the features, documentaries, and shorts.
We talked to filmmaker Kate Kunath about gentrification, queer spaces, and the legacy of south Brooklyn gay club Starlite.