Victoria is a genre movie told in real time in a single steady, unbroken scene. It's taut, at times sweet, often stressful, and surprisingly intimate. It's also a total stunt.
We talked to British-Jamaican filmmaker Cecile Emeke about her thoughtful web series, which shines a light on the lives of black people everywhere.
What better way to harness his star power and ascend to new heights of glory than to run for public office, right?
We met up with director Jonas Carpignano to talk about his new film that intimately portrays the difficult, dangerous, and human side of the West African immigrant experience in Italy.
The long-running happening transformed a raw warehouse space into a 24/7 art and film hub.
We met up with the filmmaker to discuss his new film, an exploration of lesbian love in the homophobic 1950s.
There's cardboard Chewbacca, and cardboard Stormtroopers, and cardboard TIE fighters, and a cardboard Millennium Falcon.
Next year, an aging Zoolander will team up with Hansel to go after their archnemesis, Mugatu, who's out of prison and systematically slaying all the beautiful people in the world, including Bieber.
The Sunshine Makers is a new documentary that shares the untold story of the chemists-turned-criminals who altered the psychedelic world.
The magnum opus of outsider filmmaker John S. Rad wants to be a grim thriller. Instead, it's a bizarre and hilarious testament to the difficulties of creating art.
We spoke to George Gittoes, whose astonishing new documentary, Snow Monkey, is like The Act of Killing meets The Wolfpack meets Lawrence of Arabia—with the Taliban and ISIS thrown in.
Despite battling a serious illness, the Holly from Lou Reed's "Walk on the Wild Side" is in good spirits.
Just in case you have an overwhelming urge to revisit Holes.
There's more Chewbacca, more Princess Leia, and more vaguely worded voiceovers about Kylo Ren's destiny and Rey's maybe-Skywalker heritage.
The problem with Spectre isn't that it's dumb—it's that it's not dumb enough.
From pud-pulling in a French prison to mother-son BJs in suburban Maryland, here's an overview of unsimulated sex acts on the silver screen.
"If you're one of those people who say The Blair Witch Project isn't scary then you have no imagination."
We also talked about realism, lapsed Catholicism, and why he doesn't like The Shining.
It's time to revive the Sanderson Sisters again after 22 years.
The independent theater would like your help to keep screening the genre, art-house, and experimental films you can't find anywhere else.
Director Michael Dougherty talks the joy of discovering a movie for the first time, the appeal of horror-comedy, and why he'd rather see fan tributes than win Oscars.
We spoke to Fessenden about how being remembered is sometimes better than being paid.
Funny, disturbing, and genuinely terrifying, the Frankenstein sequel remains one of the genre's unlikely masterpieces 80 years after it first graced the silver screen.
We meet up with Oscar-winner Benicio Del Toro to discuss his latest film and the hurdles of being a minority actor in Hollywood.