The Creators Project

Takashi Murakami on Nuclear Monsters and Buddhist Damnation

Takashi Murakami's art has always sat at the crossroads where Japanese tradition meets contemporary culture. Often working in sculpture and painting, he recently ventured into the world of cinema with his first feature film. Inspired by the devastating tsunami that hit Japan in 2011, Jellyfish Eyes mixes live-action with animation and is a monster movie set in a post-Fukushima world. It centers around a boy who moves to a new town where he discovers the kids there fight fantastical creatures.

To bring these creatures to life, Murakami used CGI, noting in our sit-down interview above how the technology has only recently become cheap and effective enough for widespread use. The latest green screen technology and industry software bring Murakami's visions of a giant bunny, a jellyfish boy, and other strange beings to the screen, in a coming-of-age movie that updates the Godzilla trope for 21st century nuclear fears. Watch our video for more from Murakami on his art, film, and Japanese culture at large.

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