Isaac Nabwana's RFP studio has made more than 20 films despite having very little money and inconsistent electricity. Can he make the world care about them?
We met up with the British filmmaker to talk about her latest documentary, Dreamcatcher, a bleak but strangely warming film about an former prostitute turned guidance counselor in Chicago.
Before they were Hollywood's "Three Amigos," Alfonso Cuarón, Emmanuel Lubezki, and Alejandro González Iñárritu worked on La Hora Marcada, a Black Mirror-esque sci-fi show in Mexico.
The two new films both use murder as a backdrop, but one goes for laughs and the other creates a darker mood.
A man who gave hope to outsiders everywhere, and who recorded the best song about Bilbo Baggins ever set to wax.
Barbara Loden's film about an aimless woman who abandoned her children made me realize how grateful I am for my own mother's love and care.
A nightmarish, drug-fueled, modern twist on the western, the film tells the story of an attempted honor killing on the Yorkshire Moors.
Since the late 1960s, Wurlitzer has been a screenwriter. None of the films he wrote raked in box-office millions, but people speak about him in superlatives—that he's one of a kind, that he's his own genre.
An unflinching examination of sexual assaults that have been covered up by colleges and universities across America.
The movie's "race mixing" has provoked some of the most vile, old-fashioned racism you'll encounter this week.
We talked to director David Robert Mitchell about his new film, in which a girl gets stalked by a strange, malevolent presence she contracts after having sex.
In today's outrage culture, it's hard to believe that the Italian cannibal-rape films of the 1970s ever received theatrical releases.
I went to the Razzies to get away from the tired schtick of the Oscars, but found instead an even more tired schtick.
A 23-year-old Spanish filmmaker's three-minute short about a woman with an anus on her face is the most meaningful commentary on social-media censorship you've ever seen.
The director of Sundance success Drunktown's Finest talks about her experience as a Navajo trans woman.
Ari Aster's new film is a Pixar-inspired silent short about a clingy mother who goes to extreme lengths to keep her son from going off to college.
David Teitelbaum earned a spot on the Tonight Show for walking past a guard and sticking a microphone in Nic Cage's face.
Director Amanda Rose Wilder talks about Approaching the Elephant, her new documentary exploring one year at a free school.
We spoke to Jamie Grefe, who wrote a novel based on the insane Adult Swim shorts about a CIA agent who doesn't play by the rules.
Jacquot's film is compulsively watchable, refreshingly unsexy, and successful in its patchwork depiction of its protagonist's prison-like existence.
We're going to see the same sort of films get nominated again and again as long as the Academy stays old, white, and male.
The internet's freaking out over the announcement that Neill Blomkamp will direct a new movie in the 'Alien' franchise. I thought I'd ask some reputable sources what they thought about the news.
Garry Fraser grew up in Muirhouse, an estate north of Edinburgh that was being decimated by heroin and AIDS. After escaping from a crippling crack addiction, he started making films and is now a BAFTA and MTV Award winner.
"The old ways of getting money are not there anymore, so sell out, young man."