Director Taika Waititi—the guy behind Boy and What We Do in the Shadows—talks about his latest offering.
We speak to the cult British director about his upcoming adaptation of J. G. Ballard's dystopian novel.
Meet the new friendly neighborhood Spider-Man, for about two seconds.
What is it about Stephen Chow's The Mermaid that makes it the highest-earning film of all time in China?
Rob Zombie is mostly known for his horror flicks, but he says that his new project, based on a book about the final years of comedy legend Groucho Marx, is the kind of movie "I was always looking for."
We spoke to the filmmaker behind Inside the Chinese Closet, a documentary that follows young gay people in China looking for a fake heterosexual partnership to appease their parents.
Antonio Barrera is not a great matador.
The DIY festival has quickly become a place for talented genre filmmakers far removed from towering production cities. It creatively forces them to embrace the harsh weather and environment in which they live.
The 68-year-old professor once said building R2 for the Star Wars' franchise was "one of the most exciting periods of my life."
There's a lady ghost turning scary in libraries, ectoplasm gooping people up, and even a Slimer appearance.
Ewan McGregor, Kelly MacDonald and Irvine Welsh talk about the book, the filming of the movie, the backlash and the sequel.
We hung out with the Game of Thrones and Hunger Games star and asked her what it's like to be thought of as an "outspoken woman."
Will the 90s never die?
Chris Rock and Ali G are the latest to crack wise at Asians' expense, but they're hardly the first.
Chris Rock and the Academy brought race issues to center stage last night. Things got awkward, but were they awkward enough?
Leo finally got his statue, Mad Max took home a bunch, and some Girl Scouts made more in cookie sales than most of us do in a year.
During my three months assisting a celebrity dating coach, I learned that love isn't real.
The Academy is essentially the NRA of movies.
"Something that pompous and over-the-top as the Oscars is just begging to be ripped apart! It's like there's a big red balloon in front of you and you're holding a big, sharp pin—what are you going to do, not pop it?"
Director Álvaro Longoria on getting stuck in the country's information feedback loop, even with his all-access pass.
By giving an African refugee a camera, two filmmakers hoped to gain insight into the life of migrants from the perspective of migrants themselves. The result is the remarkable Those Who Jump.
The men and women who put together and perform the action sequences that so many movies require say that it's time for the Academy to start recognizing the work they do.
The media focus on the Academy overlooks emerging filmmakers of color who are scraping by in order to get their movies made.
Do people know you can just say "thank you" and then leave the stage?