Thump played a rapid fire round of WORDS with some of our favourite artists.
Simon Wheatley's Don't Call Me Urban photo book is being digitally re-released, so we asked him to reflect on a few of his classics.
An LA electronic label is making jazz cool to people who don't listen to jazz—an impossible dream for most jazz labels. How did we get here?
An interview about death, sacrifice, and family with the world-weary thrash god.
"I did another one, I did another one/ You still ain't did shit about the other one."
This is very exciting, assuming you would like to license 'Happy Birthday' for your film, television show, or video game.
One big company just got a whole lot bigger.
Bindis have peaked as a fashion trend recently, thanks to the likes of Selena Gomez, Vanessa Hudgens, and an assembly line of Coachella-inspired fashion bloggers. But it's time to leave the religious and cultural symbol at home.
London Black-Up is a group of friends and musicians who've played a huge role in the capital's hardcore scene over the past 20 years.
Plus, the artists drops a free collection of tunes spanning 2010-2014 in a mixtape titled Night Rally.
The Latex Ball's 25th anniversary proves that ballroom culture is still thriving if you know where to look.
In the city of Ho Chi Minh, unjust legal hurdles put dance music parties on the brink of extinction.
We should allow female artists the space and agency to be creative without subscribing them to a set of rules that male artists are still largely exempt from.
Inside Nashville's eclectic music scene.
May his heroic tale of triumph inspire you for greatness.
It was a rite of passage that helped me feel empowered enough to defy other people's expectations and follow my own instincts. Every teenager needs something like that.
Downward dog meets industrial sludge in Seattle's experimental music community.
Annie Nightingale has been on the radio for five decades. A three-disc Ministry of Sound compilation—streaming here exclusively—is a keyhole into her life on the air.
Whether Nicki Minaj is deserving of a VMA Video of the Year nomination is besides the point.
The DJ highlights the city's great initiatives blending party times and social awareness.
i-D's history of British style tribes takes us to the terraces andNorthern dance floors of the 80s.
We spoke with the filmmakers who documented the Indonesian noise scene, where shows often happen in the street.
"The only constant is struggle. There's no win. There will never be equality."
Jimmy Barnes and John Farnham have vetoed the use of their songs at Reclaim Australia rallies. Here are some possible replacements.