Irish-American photographer Eva O'Leary's images burst with crisp, bright colors and demand attention.
Perhaps best known for her portraits of Los Angeles's leather-dyke community, here Catherine Opie switches gears to capture life at an Oregon rodeo.
Photographer Weronika Gęsicka's work focuses on the deceptive way what we think we remember is often some melding of fact and fiction.
Miriam Stanke traveled to Van, Yüksekova, Silvan, Şırnak, and Nusaybin to meet some of the Kurds who had recently been confined in a curfew state by the Turkish government.
Australian photographer Gina Nero turns her critical eye toward Cuban society, capturing a way of life that will soon be changed irrevocably.
Zanele Muholi's portraits use firsthand accounts to document the experience of living in a country that constitutionally protects the rights of LGBTI people, but often fails to defend them from targeted violence.
Over the course of three months, Cait Oppermann captured the human side of these superhuman athletes—making dinner after practice, relaxing in front of the TV, and getting coffee with teammates.
Rose Marie Cromwell's photos of Miami are inspired by the concept of an "indelible mark of purity."
Atong Atem's portrait photography explores the complicated sense of identity migrants often have, the idea of feeling suspended between two worlds and never fully belonging to either.
Ginsberg's bizarrely beautiful photography features cigarette stubs, oranges, an onion, and candy wrappers.
Mayan Toledano's intimate series showing female Israeli soldiers was inspired by her own experience in the Israeli military.
Keren Shavit's series focuses on two teenage girls, Peti and Lucy, who work at a cut-rate Israeli version of McDonald's and are obsessed with a family of wrestlers from Dallas.
Gillian Wearing shot to fame in the 1990s for a series of portraits of strangers, each holding a sign with their innermost thoughts written on it. Here, she wears an envy mask: a mask of her own face.
"This work is about inequality," says photographer Natalie Keyssar, "and a level of tension and sometimes danger so powerful in daily life it's almost palpable."
Diana Zeyneb Alhindawi shows us a candid side of the Raia Mutomboki, one of the largest rebel groups in the Democratic Republic of Congo (DRC). The group's name is Kiswahili for "angry citizens."
Tamara Abdul Hadi, who has been published by the New York Times, the Guardian, and Reuters, seeks to emphasize migrants' humanity in life, not just their dehumanizing deaths.
This series by Jill Freedman's is the culmination of her decades-long study of all types of men being funny, disgusting, adorable, and crude.
The artist's latest work involved pairing photos of black women from old issues of Ebony with images from a 1931 textbook.
Photographer Lola Paprocka grew up in Polish housing estates, and her obsession with Brutalist architecture shows through this series of photographs.
Six years ago, photographer Chuck Grant met Tina Santi Flaherty, who lives above Jackie Kennedy's old apartment on Fifth Avenue. Tina describes Jackie Kennedy as her muse. These photos are inspired by the Kennedy aesthetic.
Eighteen-year-old Izumi Miyazaki cites a number of surrealists as her inspiration in her thoughtful, wry, and precise work on identity stereotypes, setting cultural clichés alongside grotesque or awkward elements.
Jessica Pettway's art shows everyday objects in surreal arrangements, bent and contorted into bizarre, often unrecognizable forms.
Chinese photographer Feiyi Wen's work focuses on the quiet moments of everyday life. In her photos, Wen looks for the inspired and the sublime in the seemingly mundane.
Jaimie Warren's self-portraits are a lot of things, but they're never boring.