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THE SORDID SECRETS OF BABYLON
KENNETH ANGER KNOWS THEM ALL
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Kenneth Anger: I have a certain amount of ambivalence about it, but basically I am fond of it. And so whatever vices it has I appreciate; it is colorful. And it used to be a lot more colorful than it is now. This is sort of a mellow period, but there were days in the 20s and the 30s when it was having a different scandal every week, practically. I appreciated that as a historian, but we haven't had any juicy scandals recently. Does this have anything to do with the way the press covers celebrities? Are too many people famous nowadays?
No, it was the personalities, sort of larger-than-life personalities. And they were genius. Like Charlie Chaplin, for instance. At the same time, they had a propensity for pushing the boundaries and getting in trouble. In his case, he liked young girls, and that still is sort of a no-no. Have there been any recent scandals that particularly interested you?
I have a pretty good antenna about what is happening in Hollywood, and it has just quieted down. In the 60s there was a flare-up with the Manson crowd and all that, but that has all quieted away. And you would know because you lived through most of it. You were making films before you were even a teenager, right?
I was a kid, yes. When was the last time you watched anything you filmed from that era?
I haven't looked at them; they are filed away. I do have most of them, and I was working on 16 mm. Now I prefer to work in digital. Why short films? Have you ever been tempted to make a feature?
Well, I could manage a shorter film with my own personal budget, and I compare my films to poems—I consider myself a poet of films. And something like 15 minutes or half an hour, I can manage that myself quite well as far as the budget goes. I have made films of up to 40 minutes, but oddly I never felt attracted to going into feature-length films.Continued on page 2.