(Photo via Instagram)
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Nobody involved in that meerkat advert was trying to make great art. It's not a career-defining performance from Schwarzenegger or either of the CGI meerkats. It's never going to be anyone's favourite advert and people are still going to say "Orange Wednesdays". But maybe it's a necessary evil. Not even a necessary evil, just a necessary slightly shit – stuff like that gives Schwarzenegger the luxury to seek out films that are genuinely interesting, and even if the results have been a bit mixed, he's come out of them well.His first lead role in a decade, 2013's The Last Stand brought South Korean director Kim Jee-Woon to Hollywood and gave Arnie wrestling-style, grappling fight scenes that actually seemed how a big man in his sixties would scrap – ugly, heavy punches, pinning through men's torsos and pushing them through windows. Not Conan, not the Terminator, just an ageing man who's livid and wants everyone to shut the fuck up. David Ayer's Sabotage is a self-consciously unpleasant and ugly film, in which every character is horrible and the fun, semi-abstract deaths of most action films are replaced with genuinely horrifying grisly murders. And Schwarzenegger looks like total shit in it. He's grey round the temples, his receding hairline is really drawn attention to and his eyes are tiny dark slits. When he smokes a cigar, he doesn't look cool like he used to in the 90s during interviews, when he'd be sat in a Hawaiian shirt on a film set chomping on a big fat stogie and laughing his head off. He just looks like he should give up smoking. He's so old. But he comes across like a character actor in the role, not a fading muscleman. If it was somehow the first film you saw him in, which it obviously wasn't for anyone, you'd be intrigued by the big dude with the slightly funny accent.
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