Sure, there are years here and there where a breakthrough or five occurs. Last year's awards season was full of all sorts of nods to movies featuring predominantly black casts. Mandela: Long Walk to Freedom, The Butler, Fruitvale Station, and 12 Years a Slave were both critically acclaimed and popular with people who like critically acclaimed movies. More importantly, they were black stories made by black filmmakers. Not all of those movies received Oscar attention, but 12 Years a Slave did end up winning Best Picture at the Academy Awards. Before that, The Help, Precious, Beasts of the Southern Wild, and Hustle and Flow snuck into the cinematic consciousness enough to get recognition in the early part of the calendar year. And, of course, who can forget Halle Berry winning an Oscar for bravely getting naked in front of Billy Bob Thornton?In the years where a "black movie" (and I use that term very sparingly, since movies should be for everyone) gets Oscar nominations, the overwhelming consensus is that "finally, we made it!" That optimism is as short-lived as the euphoria that followed the election of Barack Obama. If no minorities are nominated, the doom and gloom comes back with a vengeance. In a lean year like this one, people fall over themselves proclaiming the Academy of Motion Picture Arts and Sciences to be a racist institution that purposely doesn't honor minorities or women. I've been gnawing on this old chestnut for decades now, and it's starting to taste funny. I would love to see this situation actually improve in the future rather than be fodder for the bloviating pundit class. Everyone complains, but no one offers solutions. We've tried creating alternative award shows like the BET Awards, the GLAAD Awards, the ALMA Awards, the NAACP Image Awards, and countless others. All of them lack the prestige of the Oscars, so there's only one solution left: It's time to change the Oscars.
Annoncering
Annoncering
- Selma, Ava DuVernay
- Think Like a Man, Too, Tim Story
- Tyler Perry's the Single Mom's Club, Tyler Perry
- Addicted, Bille Woodruff
- The Equalizer, Antoine Fuqua