
Try maintaining a rictus grin as you prowl the nightclub floor, a bottle of Apple Sourz in each clammy hand, Calvin Harris’ discography hijacking your eardrums for the third night in a row. Try having to hustle a crowd of leery city workers while the balls of your feet turn white with pain and your self-esteem disintegrates like a Rizla at a foam party. Now try doing that sober.I never thought I’d end up selling shots in a bar. After moving to London to study for a masters – which so far has amounted to little but an extra line on my CV – my sister introduced me to the world of promo work. It’s a profession that saw me flyering (being paid £6 an hour to dump bits of paper in a bin), nightclub hostessing (£8 an hour to pretend to be friends with strangers) and checking names on the door (in my experience, £10 an hour to listen to bouncers be racist in sub-zero temperatures).However, selling shots in the West End was the only piece of promo work that actually paid well. The job works on commission, so bigger, better clubs mean bigger, better profits – but you can also do alright if you corner a couple of bankers locked into one of those weird macho competitions that revolve around trying to out-spend each other on Don Julio shots. And if you’re willing to work over New Year’s or Christmas, I’ve heard of girls managing to clear close to a grand in a night.But it’s not all Dan Bilzerian wannabes making it rain. Working as a shots girl was exhausting, depressing, demoralising and, ultimately, the worst job I’ve ever had. I learned a lot strapping that Jäger-belt on every night, most of which I’ve tried to suppress in the dustiest filing cabinets of my mind. But in the hope that it’ll make you sympathise with one of my compatriots the next time you see them wading through a club, here’s the most important insights I gained in my time on the job.
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