cinema
In Praise of Arnold Schwarzenegger, Ageing Badass
At 68-years-old, the Austrian Oak finally looks mortal. But while he's lost some of his strength, he's found his acting chops.
I'm Givin' You a Nightcall: Filmmaker Nicolas Winding Refn Talks on the Role of Music in Cinema
The man behind 'Drive' and the newly released 'Bronson' soundtrack talks about scores, pop music, and more.
Talking Cowboys and Indians at Cannes with Director Thomas Bidegain
We sat down with the man behind A Prophet and Rust and Bone to talk about his latest film, Les Cowboys – a modern day Western tackling Islamophobia in France.
The New Wave of Ultra-Violent Ugandan DIY Action Cinema
VICE delves into the world of Wakaliwood—Uganda's thriving, low-budget action film cinema.
We Talked to Theatre Director Turned Film Director Rupert Goold About His New Movie
Talking narcissism and changing your life in your 30s with the director of True Story.
'The Doors' Is the Film That Made Me Want to Live Slow and Die Old
There's nothing glamorous about throwing it all away too early.
What I Learned from Watching All Seven 'Fast & Furious' Films in One Day
Not very much about cars, but a lot about our carnivorous appetite for same-y Hollywood sequels.
These Guys Are Obsessed With Reissuing Fucked Up Videos From the 80s
We talked to Bleeding Skull Video about why it's important not to let low-budget, home-made exploitation films get lost in the annals of time.
What Burkina Faso's Film Festival Means for African Cinema
We talked to some of competing filmmakers about why Africa needs FESPACO film fest, and picked out the best stuff that showed.
'We Came to Sweat' Tells the Story of New York City's First Black-Owned Gay Club
We talked to filmmaker Kate Kunath about gentrification, queer spaces and the legacy of South Brooklyn gay club "Starlite".
‘The Transformers: The Movie’ Was the Film That Made Death Seem Mundane
Did the 1986 version of Transformers desensitise me towards death?
Jennifer Lawrence and Why Hollywood Is Done with Boring Male Heroes
Steven Spielberg's decision to cast Lawrence as his first female lead in 30 years is one riddled with significance.