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They weren’t kidding. Since 1994, Laibach has administered its own state, the NSK (Neue Slowenische Kunst) State, with passport control, temporary embassies, an official news service, baptisms for infants, and a Department of Pure and Applied Philosophy. That department is represented by the formidable Peter Mlakar, and Laibach has other philosophers in its camp. When Laibach were denounced as fascists at home and abroad for their theatrical totalitarianism, Slavoj Žižek defended the group in his 1993 essay “Why are Laibach and the Neue Slowenische Kunst not Fascists?” (Žižek, “the giant of Ljubljana,” appears in interviews in Predictions of Fire and in 1993’s Laibach: A Film from Slovenia, an excellent documentary available on DVD.)
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Laibach “God Is God”:
The guttural basso profondo and fervent delivery of singer Milan Fras give the tautologies of Opus’s “Life Is Life” and Juno Reactor’s “God Is God” a majesty that is not their own. It’s easy to imagine Laibach as satirical ironists whose work exposes the latent totalitarianism of rock music, but that was Marilyn Manson’s childish game. Everything about Laibach suggests that, on the contrary, its members have always been doing their best to believe what they are saying and to convince you of its truth. If you don’t have time to listen to their cover of the Beatles’ entire Let It Be album, try their cover of Queen’s “One Vision” (retitled “Geburt einer Nation,” or “Birth of a Nation”). It’s hilarious, but it’s not satire or even parody. Fras transforms the lyrics (“One flash of light / One God, one vision / One flesh, one bone / One true religion / One voice, one hope / One real decision,” etc.) not by mocking them, but by believing them with a militancy of which Freddie Mercury was not capable. By singing Laibach’s covers in this way, Fras doesn’t reduce them to absurdity. Instead, the performances reveal the songs as authentic visions of utopia that had been betrayed by their creators.Queen “One Vision”:
Laibach “Geburt einer Nation”:
Recently, Laibach performed at the Tate Modern at the end of an all-day event dedicated to Neue Slowenische Kunst. They also scored the most eagerly anticipated movie of the year, Iron Sky, in which Nazis who have been living on the dark side of the moon since WWII return in spaceships to annihilate humanity.Iron Sky trailer:
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