The Editors' New Groove is a weekly pow-wow on the freshest new releases on THUMP's editors and regular contributors' radars.
Joel Fowler:No better way to kick off the weekend than this slow, syrupy, conga-infused dub of Toro Y Moi. JBoogie from SF, innit.
Mike Steyels:OK, Rip Knox basically made a Baltimore club version ofPoltergeist. Lil John samples call from an alternate dimension, echoing with ripples from another plane. Meanwhile, Lex Luger-like bass drum melodies pound out club rhythms that could make a house implode. It's like an epic battle between good and evil.
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Mike Steyels:This new Teklife joint is less a footwork track and more a rap beat with footwork-style vocal chops. A couple melodies weave in between one another like whisps of incense smoke, and the double time duties are taken over by sporadic bursts of splintered white noise. If this is just the clip, what could possibly left for the full version—three more Teks?
Vivian Host:Of all the techno clubs I've been to, The Bunker in NYC and Tresor in Berlin were two favorites. Both are painstaking in their curation and deliver the sort of stripped down, raw vibe (and good soundsystems) that the music demands. Peter Van Hoesen, who has played some of my favorite DJ sets ever at Bunker, drops this album for Tresor and it's no frills, real-deal techno. This song in particular appeals to my love for dark and dirty afterparties and goth/industrial leanings.