Entitled Lunar Surface, the effort by Mimi Son and Elliot Woods (Kimchi and Chips, respectively) represents an unprecedented journey into the world of fantasy; quite literally, the live production of the inherently imaginary. Blending two documentation mediums—the 2D photographic print, and the 3D digital realm—into one extruded light painting, the result is a ghastly manufactured apparition of the lunar surface in thin air.Below, light-painted process shots of Lunar Surface in full bloom:
Kimchi and Chips elucidate the project on their website:A vertical flag of fabric is stroked by the wind, displaced by curves of air pressure, swinging back and forth. As it sweeps, it extrudes a trail of light which draws a moon floating in space. The flag renders this moon from another reality, the silk surface acts as a boundary between 2 realities, intermediating the laws of the 2 realms.Inspired by the 2 moons of Haruki Murakami's 1Q84 and the flags of space travel, the artists present a portal into another existence where another moon orbits. This other place is made material by the fabric of the flag.Long exposure photography trades the dimension of time for a dimension of space, extruding the moon into existence on a set of photographic prints, the technology capturing a painting, enacted by the details of the wind.Lunar Surface begins a new line of enquiry for drawing into the air for studio Kimchi and Chips, forming artistic collaborations between technology and nature. The fabric is tracked by a 3D camera whilst a projector replays a response onto it according to its evolving shape.
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Below, Kimchi and Chips have also released two videos to illustrate how their new work developed from eclipse to waxing crescent to full moon (so to speak):
Before taking the project outdoors, the artists worked in-studio to bring their moon to life. Here, they've provided us with a couple behind-the-scenes snapshots that show their project in its "waxing" phase:
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