Sometimes our friends will ask us why they should subscribe to the magazine—pretty much everything that appears in print also appears online, they say, and print is a dying medium anyway. Then they ask to borrow our car, because our friends are fucking assholes.
If you want to know why the physical copy of the magazine is worth it, locate a copy of this month's Holding Court issue (a map of selected distribution points can be found here) and take a look at the cover by Marcel Dzama, which you can check out above in its ones-and-zeros version. Online it looks pretty good, but in real life the halo around the dude-with-a-baby-for-a-head’s head/baby shimmers in the light and you can make out the subtle muddy bloodstains on the arrow-filled body hanging from the ceiling. It’s the kind of strange painting you’d want to cut out and put on your wall, only you can’t if you’re just looking at it on your computer like a putz.
Other stuff that’s worth seeing in print:
The pictures of Irving Zisman, a.k.a. Johnny Knoxville, as the horny septuagenarian parties with some young lasses 50 years his junior.
War correspondent Robert King’s photo essay on Jordan’s Za’atari refugee camp, which is home to 120,000 displaced Syrians.
Kevin Site’s travelogue of Afghanistan as the US military finally prepares to leave for good (spoiler: the country ain’t doing so well).
VICE editor Wilbert L. Cooper’s examination of the thriving culture of scrap metal thieves in Cleveland.
If all that stuff doesn’t convince you that a paper version of the magazine is worth getting, look out for our iPad edition which is chock full of amazing extras including exclusive videos and pictures..
To check out past issues of the magazine, go here.