Matthew Barney. Canopic Chest, 2009–11, cast bronze, 73 1/2 × 165 × 243 in., installation view of Matthew Barney: RIVER OF FUNDAMENT at Haus der Kunst, 2014, courtesy of the artist and Gladstone Gallery, New York and Brussels, photo by Maximilian Geuter
Matthew Barney, Secret Name, 2008/11, cast lead, polycaprolactone, copper, and zinc, 21 3/4 × 179 × 128 1/2 in., installation view of Matthew Barney: RIVER OF FUNDAMENT at Haus der Kunst, 2014, courtesy of the artist and Regen Projects, Los Angeles, photo by Maximilian Geuter
Matthew Barney, Trans America, 2014, cast sulfur, epoxy resin, and wood, 36 × 120 × 170 in. Installation view of Matthew Barney: RIVER OF FUNDAMENT at The Geffen Contemporary at MOCA, September 13, 2015 – January 18, 2016, courtesy of The Museum of Contemporary Art, Los Angeles, photo by Fredrik Nilsen
Matthew Barney, Boat of Ra, 2014, wood, cast bronze, resin-bonded sand, steel, and gold plating, 132 × 600 × 288 in., Installation view of Matthew Barney: RIVER OF FUNDAMENT at The Geffen Contemporary at MOCA, September 13, 2015 – January 18, 2016, courtesy of The Museum of Contemporary Art, Los Angeles, photo by Fredrik Nilsen
Matthew Barney: Water Casting. Installation view of Matthew Barney: RIVER OF FUNDAMENT at The Geffen Contemporary at MOCA, September 13, 2015 – January 18, 2016, courtesy of The Museum of Contemporary Art, Los Angeles, photo by Fredrik Nilsen
Matthew Barney: Water Casting. Installation view of Matthew Barney: RIVER OF FUNDAMENT at The Geffen Contemporary at MOCA, September 13, 2015 – January 18, 2016, courtesy of The Museum of Contemporary Art, Los Angeles, photo by Fredrik Nilsen
Installation view of Matthew Barney: RIVER OF FUNDAMENT at The Geffen Contemporary at MOCA, September 13, 2015 – January 18, 2016, courtesy of The Museum of Contemporary Art, Los Angeles, photo by Shana Nys Dambrot
Matthew Barney, Shaduf, 2014, cast brass, 144 x 120 x 180 in. Installation view of Matthew Barney: RIVER OF FUNDAMENT at The Geffen Contemporary at MOCA, September 13, 2015 – January 18, 2016, courtesy of The Museum of Contemporary Art, Los Angeles, photo by Shana Nys Dambrot