Ghosts, specters, and the occult have mesmerized photographers since the beginning of photographic history. More than a century before digital manipulation, there were countless attempts to use the "medium" (see what I did there?) to prove the existence of spiritual phenomena. Early images ranged from depictions of phantoms and janky, ghost-like blobs to abstract representations of spirits on X-rays, cyanotypes, and other light-sensitive materials. In 2005, the Metropolitan Museum of Art curated The Perfect Medium: Photography and the Occult, an exhibition and corresponding book surveying occult photography from the 1860s through the 1940s, a period in which photographs were often used as "evidence" of the spirit world.
As a kid, before falling in love with photography, horror movies shaped much of my visual language and how I thought about the construction of narratives. Ultimately, they paved the way for a more recent obsession with occult-ridden images—everything from representations of ghosts and auras to the "unnatural" world of spiritual symbolism and the mystical unknown. (I'd even include campy, intentionally faked images of gore.)
For Halloween, decades into the digital world, I've compiled 31 contemporary photographs ranging from apparitions and dark matter to witchcraft as a metaphor for our current political climate. While many of them nod to classic traditions of spirit photography, they also come from a now long-standing acceptance of photography as flawed in its representation of truth, and—often with a heavy dose of self-aware irony—function more as theater than any attempt to prove that ghosts are real.
Elaine Bezold, Untitled, 2013
Amelia Bauer and Elizabeth Perks Kibbey, Book of Shadows
Rachel Stern, Vision and Her Scribe, 2018
Anna Morgowicz, Untitled, 2014
Barbara Diener, Shadow Figure
Chase Middleton, from the series "Nostalgia for the Mud"
Tereza Zelenkova, The Unseen
Laura Larson, Untitled (Green Room) from the 2009 series "Asylum"
© Christine Schiavo, Mother (Insomnia)
Jacob Haupt, Untitled, from the series Did I Scare You
Sue Debeer, still from her film "The White Wolf," 2018. Courtesy of the artist and Marianne Boesky Gallery
Robert Hickerson, Sure, We Can Keep It Casual
Ellen Jantzen, Diverting Apprehension
Dylan Hausthor, Blue Smoke Rolling
Wendy Given, The Ghost, 2018
Riley C. Goodman, From Yonder Wooded Hill
Michael Marcelle, In the Leaves II
Paul Guilmoth, Web Submerged
Tasha Lutek, "Untitled"
Alec Kaus, Bless Your Heart and Soul, Honey!, 2018
Elin O'Hara Slavick, My Daughter's Hands and Son's Feet, 2015 (Diptych)
Kathrin Guenter, Victoria Beckham
Frances F. Denny, Deborah (Nyack, NY) Courtesy of ClampArt, New York
Chamber of Awakening, cut vintage photo. 2016, Courtesy of the artist and Postmasters Gallery, New York
Carla Jay Harris, Teresa Cooper Diptych 1905
Tim Pearse, Nebula, a Portrait of Phillip
M. Apparition, Memento Mori
Michael Buhler Rose, Rose-Eye (Brown/Brown)" 50"x40" C-Print in artist's frame, 2014 and "Eye (Blue/White" 50" x 40" C-Print in artist frame, 2018
Rana Young, Mom's Teeth, from the series "Lie and Smile" 2018
Stillmore (Aura Reading), 2018
Tommy Nease, Untitled, 2012
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