
With Vivien Lesnik Weisman's Hacker Wars, we're given a look at a collection of hackers and trolls who have been persecuted in various ways by the US government. Weisman is unquestionably loyal to her film's subjects, and it shows, to the point where you might describe Hacker Wars as a little more than a valentine to those subjects who gave her access.From start to finish, the film largely elicits the opinions and impressions of a small, tight-knit group of agitators including Joe “subverzo” Fionda and Jaime “asshurtmacfags” Cochran. These and other subjects color the events surrounding the trials and convictions of infamous internet troll Weev (real name Andrew Auerheimer), Anonymous spokesperson and Project PM head Barrett Brown (who has written for VICE), and Jeremy Hammond (a.k.a. Anarchaos), the hacktivist who leaked a treasure trove of data from Stratfor, an American intelligence firm.Their observations, along with the film's bro-step soundtrack, probably won't counter the perception that activist hackers tend to be puckish pranksters with an anti-authority complex rather than serious people using hacking to achieve noble political ends. Weisman's pile-driving approach to the film's soundtrack and editing, with its quick cuts and graphics, leaves little room for nuanced thoughts on state and corporate power.That's not to say the the film isn't occasionally informative, funny, and even terrifying. When footage is shown of the raid on Brown (Anonymous's de facto spokesperson), with feds aggressively shouting amid a total blackout, it highlights how reactionary and fearful the American state can be. But, in lingering too long on Brown's persona, Weisman doesn't give enough time to his attempt—with Project PM—to bring transparency to the US intelligence contracting industry.
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