Advertisement
Advertisement
Advertisement
Because Westworld is set in an amusement park, the movie deliberately invokes clichés. You might roll your eyes if a show presented a duel at high noon or a tavern brawl replete with a body sliding down the bar, but that's precisely the point here. The tourists want to participate within those clichés: stabbing Caesar, playing poker with Wild Bill Hickok, or commanding armies in a great medieval siege. HBO, via Rome, Deadwood, and Game of Thrones, has been providing its own takes on these archetypal events and settings, so Westworld has the chance to get very meta.There are two problems. First, the show is going to need to be patient. We know there will be a robot revolution, but if the show rushes toward it too quickly, we'll lose the chance to enjoy a new take on the innovative setting that Crichton dreamed up so many years ago. Second, while I like the setting, Crichton didn't really give us any interesting characters around which to base a franchise.Westworld's best character is Yul Brynner, who plays the Gunslinger. And yet he says little other than "draw" or "your move." He's the "villain" of West World, designated to start fights and be gunned down by the tourists. He's also got souped up infrared vision, killer instincts, and an implacable hatred for humanity. In many ways, Brynner's portrayal is a precursor to the more famous killer robots played by Schwarzenegger in Terminator or Rutger Hauer in Blade Runner. None of the humans are all that interesting, even the nominal hero, Richard Benjamin.Show creators Jonathan Nolan and Lisa Joy are going to have to do better. Crichton gave them the premise and some iconic images on which to draw. Now they have to advance it from a single good movie to a world to which we'll want to return show after show, season after season.Follow David Perry on Twitter.On Motherboard: Where Was the World in 'Jurassic World'?