Garage Magazine
  • A Portrait of the Curator as a Young Grebo Rocker

    Mark Beasley, Curator of Performance and Media Art at the Hirshhorn Museum in Washington, D.C., has deep roots in his native UK's alternative music scenes. How has he brought his onstage chops to bear on an exhibition about miscommunication?

  • My Manifesto: The Manifesto that Isn't

    Inaugurating a series of original artists' manifestos commissioned exclusively for GARAGE, sculptor Keith Edmier takes a cue from two notorious texts of the past century, bookending his own unique proclamation with a paradoxical denial of the form itself.

  • Are We in a Golden Age for Female Designers?

    From new designers at Dior and Givenchy to the Rei Kawakubo show at the Met, more female designers are in the spotlight than ever. But are these women subverting the status quo in favor of something better, or enforcing the long-standing rules?

  • Here's How One Artist Took on the Colorblind British Art World

    Lubaina Himid rose to prominence with the Black Art movement in mid-1980s Britain, but was pushed aside in favor of simpler themes and sleeker aesthetics. Now three major shows and a place on the Turner Prize shortlist are heralding a belated rethink.

  • How to Turn a Studio into a Rumpus Room into an Exhibition

    “I’m in a good place.” Friedrich Kunath has had his share of ups and downs, but in a sprawling new exhibition at Blum & Poe the Los Angeles painter lays bare his soul—and a remarkable studio—with a positive attitude and a higher purpose.

  • Meet the Curator Rethinking Painting

    The first in GARAGE's new series of exchanges with rising and innovative curators focuses on Cathleen Chaffee of the Albright-Knox Art Gallery in Buffalo, whose current show of work by Joe Bradley is the latest in a string of deep dives into painting.

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