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Jeff Lemire’s graphic novel ‘The Underwater Welder’ uses cool tricks and clever plotting.

Mounir Fatmi explores postcolonial memory through three artifacts from his childhood in 1970s Morocco

André Distel is a self-taught photographer using digital tools to match the perceptive power of the human eye.

In the era of “fake news,” an exhibition examines how The New York Times has been used by artists to investigate pressing issues.

In ‘The World Just Makes Me Laugh,' sculptor Ugo Rondinone brings his trippy, sad clowns to UC Berkeley Art Museum and Pacific Film Archive.

Amsterdam’s Circus Family brings 'TRIPH,' an immersive and responsive light installation, to Northside Festival.

See how the director's auteurist movements using doorways have entranced viewers since the 60s.

The Library of Congress’s expansive digitization efforts makes more art available to a larger public.

Charcoal ruins turn a destructive experience into a triumphant art narrative.

These bit-block installations imagine a 3D world.

Poison and Morpho are two best friends who like to eat wings, watch movies, and have serious jam sessions.

VICE.com's most memorable lines from the week of June 13, presented with zero context.