This article originally appeared on VICE UKFor over a decade, British photographer Magnus Hastings has been shooting some of the most notorious queens and asking them one simple question: Why drag? Whether during his cross-dressing childhood, or his wild, heady party days on Sydney's scene, it's a question Magnus has been asking himself for a lifetime."I grew up an all-singing and dancing, cross-dressing at any opportunity little boy who would steal his sisters' shoes and clothes and put on plays for my somewhat exasperated parents," he says now, although he quickly realized he preferred pointing the lens to putting on the heels.
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Drag may well be kicking down the doors to mainstream cultural acceptance, but it's not just the popularity of the art that has changed starkly in the time Magnus has been capturing his queens; it's the motivation. "The older queens talked about fitting in within the drag scene, about it giving them the confidence if they felt less than as a man, a way to fit in with the beautiful people without the need for a six-pack," he says.Drag in decades gone by wasn't just an excuse to get dressed up and run wild—you only need to look to the seminal ball culture documentary 'Paris Is Burning' to see that drag can provide community and salvation as much as it does a seriously good time. "I have often compared drag to being a superhero," Magnus says. "For some queens it gives them their power, their confidence. They can exist and behave in a way they just can't when out of drag.""Younger queens talked more in terms of art and creative freedom," he continues. "Lots of newer drag is more fluid, less about one specific alter ego. They're trying out many things out and using [themselves] as the canvas."'Why Drag?' with photographs by Magnus Hastings and a foreword by Boy George, was published in May by Chronicle Books. We've got some of the queens' responses from the book belowFollow Michael on Twitter