2014 VICE Photo Issue
A Video from Our 2014 New York Photo Show
Did you miss the New York opening of our 2014 VICE Photo Show? Were you there, but continue to lie awake at night pining for that balmy July evening in Brooklyn? Well, good thing we made a video, because now you can relive it.
From the 2014 VICE Photo Issue: Walk in the Woods
Thomas Albdorf makes beautiful images and then gives them titles like this: The Blooming of the Daffodil Flower Between May and June Leads Many Tourists Towards Lunzer Lake. Get into it!
From the 2014 VICE Photo Issue: Atlantic Wall
The beachhead is submerged at high tide, so the cliffs form a sheer wall that plunges straight into the sea. As the tide recedes, the waves peel back to reveal a surface pockmarked with thousands of small craters, cavities lined with algae into which...
From the 2014 VICE Photo Issue: Cindy Sherman, Cover Girl (Vogue) 1975/2011
While an art student at Buffalo State College in 1975, Cindy Sherman photographed herself on the cover of Vogue as Jerry Hall, the supermodel girlfriend of Mick Jagger.
Rose Marie Cromwell: Wild Blooms of Bushwick
"The life of a flower is a fleeting moment, and it's this ephemeral nature that makes flowers so desirable. Perhaps an artificial flower represents an attempt to conquer death; a very human attempt, which imbues plastic flowers with their own aura of...
From the VICE Photo Issue 2014: Cole Don Kelley
These photos by Paris, Texas–based photographer Cole Don Kelley are weird and beautiful, and while they're not overtly Texan, there's something not particularly East Coast about them. It didn't take long for us to agree that they should be given lots...
From the 2014 VICE Photo Issue: If It’s in Your Nature You’ll Never Win
Syria is a leading producer of Ramadan soap operas, and few directors have stirred more controversy than Najdat Anzour. During Ramadan 2013, Anzour released Under the Homeland’s Sky, a controversial take on Syria’s civil war that sympathizes...
From the 2014 VICE Photo Issue: Spirit and Matter
"All of my work sits in both the documentary tradition and the constructed tradition. The women in the photographs—those are their clothes, they are in a real space. But it is a complicated idea of what is truth; photography’s just like the eye."