Motion capture technology and a plethora of 3D software are the ingredients for Ian Valentine’s digital art.
Yorgo Alexopoulos’s new show uses custom displays to depict hybrids of natural imagery and digital enhancements.
Artist David McLeod’s newest series is like an abstract school of iridescent fish.
Some animals just shouldn't have legs.
Mike Pelletier's 'Time to Flight' reimagines the human form as Rorschach Test-like, polygonal blobs.
For "Inside Me (Nils Frahm - Me Rework)," Dmitry Zakharov used a 3D-scan technique that allowed him to reproduce an image of his body as a moving 3D object in software.
These awesome carnage-causing animation techniques will put you one step closer to becoming a true CGI wiz.