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My Brain Hurts, Novelty Song, Calypso, and Captain America: This Week in Comics #14

A heartfelt coming of age LGBT story, music thieves, Captain America, and more in this week’s comic roundup.
Image selection from Tales of Suspense #58. Illustrated by Don Heck. Originally printed in 1964, reprinted in this week’s Captain America: Road to War #1. Photo courtesy of Marvel Comics. Screencap via the author.

This week Captain America: Road to War #1 features a reprinting of the classic Marvel comic Tales of Suspense #58. The comic, written by Stan Lee and illustrated by Don Heck, was originally published back in October 1964. While it’s wonderful to see this classic comic (which pits Iron Man against Captain America in a fun and twisty slug-fest), it’s strange that they chose to publish it in the back of this brand new Cap comic. Sure, they’re pitching a “Captain vs. Iron” storyline to lead into Captain America: Civil War, but as mentioned in detail below, this week’s new Captain America comic is very weak, and the 52-year-old comic used to pad out its length only serves to illustrate the point. It’s easy to think of “older” comics as being cotton-candy, goody-two-shoes, and without modern drama, but sometimes those comics shine because they actually told stories—a concept many modern comics, while in the throes of major arcs, often forget. Also featured this week: a comic about the hardships of growing up LGBT, a comic about music thieves, and a comic about a WWII soldier trapped in an idyllic farmhouse.

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My Brain Hurts Vol. 2

Cover for My Brain Hurts Vol. 2. Illustrated by Liz Baillie. Photo courtesy of Microcosm Publishing.

Created by Liz Baillie.

Originally published back in 2009, My Brain Hurts Vol. 2 is now available as a digital comic on Comixology. The story, which sprawls to tell the story of several young, LGBT New York teenagers, is deeply impactful and heart-wrenching. Because of the realistic troubles these young characters face there are trigger warnings in this comic, especially for people who’ve dealt with abuse via homophobia. But Liz Baillie is an eternal optimist, and this comic serves simultaneously as a love letter and a middle finger to the hard times of growing up gay around 2001 in NYC. With over 100 pages of content, including “Where Are They Now” character roundups, My Brain Hurts Vol. 2 is an amazing deal, and a powerful work of art.

Novelty Song #3

Cover for Novelty Song #3. Illustrated by Brian Daly. Photo courtesy of Bee Tee Dee Comics.

Created by Brian Daly.

Novelty Song has a hell of a premise. If you take a song that’s already been written, and throw it into the knothole of a tree, that song will magically become yours… you’ll own it forever. That’s the jumping off point of this wild comic, which follows the band Jenny Jump as they try to make it big with a ton of stolen music. But a tree cult that’s poked out their eardrums gets involved, and people realize they can steal any concept by putting it into a tree knothole, and then things just get… weird. Novelty Song is a fast, high-flying, well-illustrated indie that will appeal to garageband impresarios and plagiarists.

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Omega Comics Presents: Calypso

Cover for Omega Comics Presents: Calypso. Illustrated by Marvin Mann. Photo courtesy of Pop! Goes the Icon.

Written by Russell Lissau, illustrated and lettered by Marvin Mann.

Calypso tells the story of an injured US soldier during WWII who’s brought into a French cottage and nursed to health by a woman named Calypso. While there, he puts off returning to the war, and finds that all is not as it seems in his idyllic sanctuary. While the story is a bit basic, and even wades into a sort of “woman as evil witch” territory that makes this reviewer uncomfortable, Marvin Mann’s illustrations are worth bringing to attention here. Lazy and hazy, he depicts in this short tale a sort of idealized country home that makes one want to settle down and raise chickens. An interesting read, but maybe too socially old-fashioned for the discerning reader.

Captain America: Road to War #1

Cover for Captain America: Road to War #1. Illustrated by Andrea Di Vito. Photo courtesy of Marvel Comics. Written by Will Corona Pilgrim, art by Andrea Di Vito, colors by Laura Villari, letters by Travis Lanham. Marvel’s a bit of a two-headed giant these days. They’ve got their comics, and their “cinematic universe,” each with a very different flavor. Captain America: Road to War is a comic that seems to be taking place in the cinematic universe. The events in this comic pick up right after The Avengers 2. So when one reads the subtitle of this comic “Road to War” one could be expecting that this is the road to Civil War 2, a new series coming out from Marvel. But this is actually the road to Captain America: Civil War, the movie. Got all that? As mentioned above, this comic really falls short of what Marvel fans can expect from modern-era Marvel comics. Di Vito’s artwork is plain, and the writing is void of any real threat. The characters, powerful heroes we all know by now, find a giant robot, smash it apart, the end. There’s no twist, there’s no surprise, no one struggles. Thank goodness this comic ran short, leaving Marvel to pad it out with the reprinting of Tales of Suspense #58. Readers can  completely skip this skimpy story and dive right into that wonderfully retro comic.

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