FYI.

This story is over 5 years old.

Music

Kill Your Idols: What are Privilege and Power Doing to Club Culture?

How do we go about creating a truly transformative, inclusionary, and authentic experience in a world resolutely opposed to those very things? Our resident theorist investigates.

Last week Tom Glencross, our resident club cultural theorist here at THUMP began the process of describing a phenomena we're terming the "neoliberal night out". In that essay, Glencross portrayed contemporary clubbing as a largely anodyne thing that's traded radical potentiality for branded day parties in reclaimed dockland space, complete with VIP wristbands and curated street food experiences.

In the second part of his vital close reading of where clubbing and club culture are in 2017, Glencross focuses his attention on how the idea of "hyper networks" has seen the transformative power of the club itself dulled, arguing that we do have the means to make progressive, informed, important change.

It is more necessary than ever to actually interrogate what we get out of clubbing, and what it actually means to talk of "club culture" in any real way. Without discussion and dissection and self-reflection, we become stagnant, unthinking, and uncritical. We become part of the problem. Josh Baines, Editor, THUMP UK.

If club culture is to retain any semblance of radicality, it has to begin looking out towards the wider world. If you don't believe that the club space plays out the politics and privileges of society at large, then just look at the number of all-female-identifying DJ collectives popping up in recent years, challenging the old boys club that the dancefloor—and just as importantly, the booth—has become. From Discwoman to Siren, patriarchal power imbalances are being challenged and disrupted in clubs around the globe.

Read more on Thump.