The Best Things We Saw at Mofo 2016
From architecturally designed aromatic chambers to wild peacocks, Mofo was the ultimate "you had to be there" experience.
Mona's metallic entrance. Photos by the author unless otherwise stated
Last weekend the site of Tasmania's Mona was transformed into a festival of music and art. Mofo overtook the gallery, the grounds, and venues around Hobart, treating festivalgoers to a spectacle of no less than The Flaming Lips, dubstep-blasting speedboats, and orchestral arrangements of Led Zeppelin. Over three days, 200+ musicians, visual artists, and creatives the world over brought their best to the coastal city, an explosion of culture that surely won't be topped (at least until next year's festivities begin to congeal anew). Without any further ado, here are just a few highlights from Mofo 16:
These guys (Tasmanian Symphony Orchestra Chorus) popped up around the gallery, completely captivating the crowds with their otherworldly vocals. The ethereal sound against the backdrop of the gallery made for a goosebump-inducing environment. They sung in stairwells, exhibition spaces, and even crammed into Mona's Charlie and the Chocolate Factory-style glass elevator. With a set centered around the theme of "Stairway to Heaven," they also did a cover of Led Zeppelin's eponymous 1971 hit, which was met with overwhelming applause.
Aesop's Chamber of Light & Shadows
Located on the gallery's rooftop, this specially-constrcuted space designed by architect Timothy Hill was a delight. Walking into the sweet-smelling wooden crate chamber was instantly relaxing, with the shoothing voices of Aesop staff explaining the hydrating properties of chamomile and rosemary.
The Flaming Lips' stage spectacular
Confetti, balloons, and yes—Wayne Coyne's crowdsurfing bubble even made an appearance. The Flaming Lips headlined Friday night, and highlights included an ode to Bowie. They covered "Life on Mars?" before dedicating "Feeling Yourself Disintegrate" to the late great.
Mathieu Briand's sculpture allowed any willing participants to try their hand at DJing. Records played samples on a continuous loop, and audiences were invited to remix the sounds, even walking away with their own vinyl. This girl was basically the next Skrillex.
Spear is the first feature-length film by Stephen Page, the artistic director of the Bangarra Dance Theatre. A young man goes on a journey of self-exploration as the film examines contemporary indigenous identity by contrasting the setting of the outback with inner-city Sydney. With very minimal dialogue, the film is completely dance-driven. It's released in cinemas on March 10.
This is Mona's version of a 'ferry'—a camo-painted speedboat that blasts dubstep.
Along with ducklings and roosters casually walking around the festival, there were also PEACOCKS, basically the unicorn equivalent of the bird-world.
What were your favorite parts of Mofo 16? Let us know on Twitter @CreatorsProject or in the comments below!
This article originally appeared on The Creators Project Australia.