Music by VICE

Lady-splaining Taylor Swift to Boys: Her Image Doesn't Need to Be Sexy Because She's Our BFF

Gone are they days when Tay was defined by her romantic trysts.

by Kat George
Feb 18 2015, 5:45pm

Taylor Swift vacationing in Hawaii with Haim. All pics via Taylor's Instagram.

The other night a male friend asked me about the appeal of Taylor Swift. “It’s not like she’s sexy like any of the other pop stars,” he said. “So why is she so popular?” I didn’t even flinch in my response, “It’s because she’s everyone’s BFF.” I don’t think I’d ever thought about it before, because I’ve never really thought of Taylor Swift as an “image” until very recently. For everything up until Red, Taylor Swift was just a talented young woman with country leanings who represented a generic kind of accessible star, nothing that Disney hadn’t provided before.

Taylor Swift’s talents as an actual songwriter were probably underestimated in the beginning, which is why it took so long for her machine to formulate a proper image for her. Unlike most pop stars, Taylor Swift began with the raw talent, and is only now rounding it out with a definable persona. Most start the other way around, because they don’t have the ground-up ability to actually participate in the creation of their music the way Swift does (Rihanna, Britney, even Beyoncé, who might be a genius creative director, but who hasn’t proven yet that she has the talent to write alone). Even pop stars that can write, like Katy Perry and Ke$ha, still began with the big personalities. Audiences pay attention to big personalities (and boobs, you know I really mean boobs).

By comparison, Taylor Swift practically wrote her entire second album, Fearless, which put her on the map with “Love Story” (her highest selling single to date, which she wrote alone) at age nineteen. Two years later she penned the entirety of Speak Now (she also had a hand in its production), which promptly quadruple platinum. And Taylor Swift, for the most part, was just a girl. In this beginning part of her career, she was vaguely marketed as an all-American good girl, but that image was always secondary to her songs, which sold her without her having to do very much other than play them. But in the aftermath of Speak Now’s phenomenal success, which secured Taylor’s spot as a chart-topping woman in pop next to the Beyoncés and Katy Perrys of the world, it clearly became pertinent to the Taylor Swift machine that the girl needed a definable persona in order to exist in this portion of the pop stratosphere. Because as we all know by now, you can’t rest on the laurels of talent alone to be an enduring pop presence—whether male or female, you have to BE someone as well. And it’s best if that someone is easily described with three or less words (look, I’m not saying a good pop personality has to be dynamic or complex!).

It’s not necessarily reductive or sexist to think of female pop stars as having sex appeal. Every current chart-topping female performer bases their character on some kind of attractive/hot/provocative/sexy prototype. Even someone like Meghan Trainor who is “all about that bass” wields her voluptuousness in a boringly infantilized sexy way. So Taylor Swift, who is not the cool girl at the party, who dances like your whiter than white aunt from the Mid-West after two glasses of rosé at Christmas, who is all elbows and knees and angles, who is smarter than you and always looks like she just showered, and who is taller than you and flat in the front and the back, but still intimidatingly statuesque, didn’t even try to make sexy her thing. That’s not to say Taylor Swift isn’t sexy—she’s just not selling herself that way. Bar Lorde she might be the only woman in pop who’s putting sex appeal on the back burner.

Taylor Swift was always very bland, in part because she began her career as a white, middle class teenage girl. She wasn’t controversial, and she didn’t really have much interesting to say, that is, her songs were all about things white, middle class teenage girls care about, such as the boys they like, fitting in with the boys they like, and bitching about the girls the boys they like like. But Taylor Swift isn’t so bland any more. She’s gone from teenager with privileged problems to a young woman with a point, who recognizes her privilege, and is happy to be goofy about it. She still cares about love, and that’s alright, because if there wasn’t music about love there wouldn’t be all that much music. The wonderful thing about Taylor Swift having been a dorky teen and now an articulate woman is that she’s invited her fans along on the journey. She’s admitted her faults, learned from her mistakes, and rather than be known as the girl who dates all the cute, rich, flop-haired boys, she’s transformed herself into an independent woman who’s more concerned with surrounding herself with other independent women. Writing diary-esque sob songs for John Mayer is so very 2010.

Clockwise: Taylor and models Karlie Kloss and Martha Hunt, Taylor with Selena Gomez, Taylor with Emma Stone, Taylor with Lorde.

Essentially Taylor Swift is selling herself as something we’ve been led to believe that women don’t want, or can’t handle: a best friend. Beyoncé is twerking and telling us to “bow down,” while Katy Perry is kissing girls, and Nicki Minaj is telling “skinny bitches” to fuck off as she parades her giant ass around in a g-string. When I wrote about pop music feminism in 2014, I noticed the trend of women beginning to partner up in pop—something that in some instances might be PR tokenism (Beyoncé and Nicki Minaj) and other cases seems borne out of a purer, more female-centric agenda (like Charli XCX and Rita Ora). But for the most part, women in pop act as though they’re better than you, and they know it (I’m not saying that’s a bad thing, I love the attitude, and I think right now it’s necessary to really break down power structures in such a male driven industry). They’re intimidatingly cool and sexy and big-rumped and ample-bosomed. They’re male fantasies masquerading as near-nude messages of empowerment. They’re reclaiming their bodies and telling us how to see their sexuality and it’s marvelous and confrontational and sometimes annoying, but we’ll look back and tell our daughters that this era in pop was revolutionary for women’s bodies.

But while everyone is revolutionizing the skin we’re in, Taylor Swift is very quietly doing her own thing, and chipping away at some other damaging ideals. She’s very subtly, very unassumingly, destroying the notion that women are islands. That women must compete. That women are defined by their bodies and how the patriarchy sees their bodies. She’s doing something very simple. Every time she takes a fan to the Grammys, or sends a fan a care package, or photographs herself on vacation with Haim, or shopping with Karlie Kloss, or baking cookies with Hailee Steinfeld and Lorde: she’s showing us that women can be friends. And that being kind and caring and inclusive and sweet and fun and supportive is just as enticing as sticking it to the man by shaking a half-naked ass in his face.

Beyoncé is sexily terrifying. Nicki Minaj is sexily surreal. Rihanna is unattainable-dangerous sexy. Katy Perry will sexily blow your mind in the bedroom. Iggy Azalea is sexily bad-ass (and will hopefully go away soon). Ariana Grande is like a sexy little girl, making the transition to a sexy grown woman. Miley Cyrus is sexily defiant. Madonna is aging sexily. Lady Gaga is sexily weird. And Taylor Swift is your BFF. She’s the one whose ($20 million) house you go to for sleepovers in matching pajama sets where you watch Now & Then and Mermaids and Mystic Pizza back-to-back. She’s the one who’s taking you out dancing when you feel sad. She’s baking you cookies when you’ve got period cramps. She’s texting you photos of her outfit from the Topshop changing room asking if she should buy this one or that one. She’s Charlotte York wagging an angry finger in Mr. Big’s face shouting “No!” when he jilts you at the alter. And she’s not doing any of it sexily at all. So for all the boys out there who don’t understand why Taylor Swift is so loved, it’s because she’s unique. As much as we love being empowered by strong women in pop music, reversing the male gaze and defining their own sexuality, and blah blah blah, we’ve never had a friend before. We’ve never had someone as popular and successful and chart topping as Taylor Swift have our backs. She’s the best friend we were always told we never wanted.

We don't know if Kat George made up the term "lady-splaining" but we like it. Follow her on Twitter.

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