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Art

Artist Creates Realistic Portrait Sculptures Using Paper

Bert Simon maps his subject’s faces using software, then prints them out and glues them together.
Kevin Holmes
6.28.12
The Fiction Issue 2012

Make the Book Cook

I mean what I say, and I say what I mean. That’s the way you really rise to the top.
Brett Gelman
6.28.12
Music

The Founders of Detroit Techno Are Coming to East London

We're giving away tickets to go see Messrs Saunderson, Atkins and May.
Barry Olafs
6.28.12
Stuff

VICE Sponsored a Football Team!

Glasgow's Drumsagard Under-13s are the best fucking team in the world.
Kev Kharas
6.28.12
Film

Introducing Savage Living

VICE Staff
6.28.12
VICE News

Renegade Jewish Settlers

Simon gets mixed up in the West Bank Land Day protests, where Palestinians annually clash with the Israeli army.
Simon Ostrovsky
6.28.12
Stuff

A Gentile's Guide to Cheating the Shabbat

Let’s be honest, there is no seamless way to merge Halachic Judaism with modern life. But there are workarounds.
Sam McPheeters
6.28.12
Photo

Los Angeles: Earl Parker Has a Photo Show Tonight

Gather round, Los Angeles, there's actually something worthwhile happening inside your city limits tonight!
Earl Parker
6.28.12
Savage Living

Savage Living - Life on the Otherside

Chadd McKeen, the owner of Otherside Farms, explains the myriad health benefits of medical marijuana.
VICE Staff
6.28.12
Stuff

Dos and Don'ts Book 2 Is Here

After eight years, 100s of sleepless nights, and no less than three premature amazon.com pre-order pages, DOs & DON'Ts 2 is finally an actual, for-real book you can actually buy. Like, for real.
VICE Staff
6.28.12
Guide to Dubai

Big Haboobies: A Short History of Sandstorms

How often do you think about sandstorms? Not as often as you should, is the answer. Sandstorms have been fucking with people since the dawn of time and even if you are currently reading this while in a sandstorm, there’s still a lot you should know...
Kara Crabb
6.28.12
Noisey Meets
3:04

Spiritualized on Fans Getting Spiritual

Jason Pierce writes his music for the solitary experience, not the audience.
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