Tech House

3.28.17

Tech-House Isn't Actually as Funny as You Think It Is

Is it time we all stopped making jokes about Hot Creations and the fist-pumping hordes?

3.16.17

We Asked an International Law Expert if the UN Could Actually Ban Tech House

"The UN security council isn't even able to act on the war in Syria, so how would they pass a resolution banning tech house?"

11.22.16

Listen to an Exclusive Mix by the One and Only Skream

To celebrate the release of a new 12" on Crosstown Rebels, Oliver Jones has put together this flawless hour of trippy tech-house for your listening pleasure.

5.23.16

We Asked Nina Kraviz, Radio Slave, and More About Their Favorite Rekids Releases

Matt Edwards' imprint has become synonymous with the kind of acid-tinged steely house and techno that's best heard in pitch black rooms

4.14.16

Alan Fitzpatrick Talks Us Through his Favorite Fabric Mixes Ever and Shares an Exclusive Track

The techno titan picks six of the best and lets us listen to an exclusive track from his very own mix for the the club.

4.12.16

Tiger Stripes’ Euphoric Workout Mix Is The Perfect Excuse To Skip The Gym

The Swedish producer and DJ lays down an hour of jacking tech-house with plenty of exclusive tracks and edits.

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2.2.16

Hector is Taking His Crew Vatos Locos Across the Globe

After conquering The BPM Festival 2016, the worldwide collective prepare their debut compilation.

1.19.16

Start Listening to Good House Music in 2016 with Riva Starr's "The Superdope"

The Producer and label-head is kicking the year off with a bang.

1.14.16

Hear Carl Cox-Approved Producer Copy Paste Soul's Slow-Burning New Track

From his 'In Focus' EP due out Jan. 25.

1.8.16

​Listen to the Dark, Sexy "Exist" from Dutch Techno Talent Joran van Pol

It's the title track from a new three-tracker for Joris Voorn's Rejected imprint.

12.28.15

Imprints: Hedonism

Munich's dirty tech house label keeps growing.

12.17.15

British Producer Ben Pearce Makes His Welcome Return to Moda Black

"Pomelo" is a heavy, club-focused cut that slowly builds on textural layers, flittering arpeggios, and a driving acid line.​

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