Annons
Annons
In 1938, just before the outbreak of war, she opened the Guggenheim Jeune gallery on Cork Street, London, exhibiting the work, among many others, of Jean Cocteau, Henry Moore, and Yves Tanguy, whose wife apparently once tried to throw a fish at her during dinner after finding out they'd been having an affair. At the time, they were all struggling artists whose work was misunderstood. But they survived thanks to her determination to foster them.At the outbreak of war she decided to buy one picture a day, using the money she'd inherited upon her mother's death. During this spending binge, she bought up Picassos, Ernsts, Mirós, Magrittes, Man Rays, Dalís, and Klees. From 1941 to 1947, fuelled by the art-hating Nazi regime, she shipped the lot to New York, to open The Art of This Century Gallery in 1942. The gallery was as much an artwork as the pieces it displayed – she hung paintings at strange angles on huge jutting poles, jumbled in with sculptures and vitrines, so visitors could walk right round the exhibits.In 1941, she married her second husband, notorious painter Max Ernst, who she would divorce in 1946. One image that stands out from this period is that of him dressing up in her clothes. While cross-dressing in the art world is hardly revolutionary, it says much of Guggenheim's give-a-shit attitude that she discusses this in interviews featured in the documentary with the same matter-of-fact tone in which she describes her seven abortions and botched nose job. As Gore Vidal wrote in his foreword essay to her memoirs, "Although she gave parties and collected pictures and people there was – and is – something cool and impenetrable about Guggenheim. She does not fuss."This was just her life and she lived it in her own terms and her own terms were to just push forward and do it.
Annons
Annons