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This isn't the first time such a thing has happened. Back in 2013, the Kenyan pavilion presented only two Kenyan artists, with the rest of the delegation being made up of Tanzini, Italian-Brazilian Cesar Meneghetti, and eight Chinese artists. Even back then, there was a slew of annoyed and rather officious Kenyan voices denouncing the unacceptable sabotage of the Pavilion by so called "charlatans" who were unworthy of representing Kenya. Cultural analyst Nyairo as well as poet, blogger, and performer Njeri Wangari demanded an official explanation from authorities, complaining about what they saw as a waste of an international stage.Two years later, not much seems to have changed—other than the number of participating Kenyan artists having decreased that is. In addition to setting up an internet petition, Kenyan writer and journalist Binyanvanga Wainaina, and artist Phoebe Boswell began to tweet about the fiasco, wondering how a person can represent a country when they are completely disconnected from its artistic and cultural scene. Recently, American critic Roger Denson also reached out and asked curator Okwui Enwezor to shed light on the affair.Art by Armando Tanzini who nicked — SkepticAfro (@skepticafro)18 Marzo 2015
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At this point, it is also important to point out that it isn't just the Kenyan pavilion that seems to be used to represent artists from other nationalities. Last year, the Biennale itself released a statement emphasizing every country's autonomy in managing national pavilions. According to the exhibition's organizers, "The Biennale does not interfere in any way [with the organizational aspects of every national participation] leaving full autonomy to the participating country."Many of the foreign pavilions are cared for and curated by Italian critics and other personalities, who are free to interpret the country that appointed them as they see fit. But what's the process behind these appointments? And, in the case of Kenya, why are there only Chinese artists? And just who is Armando Tanzini?Armando Tanzini is a rather interesting case in point: The Livorno born 70-year-old building contractor is known for his bizarrely luxurious compounds in the Kenyan town of Malindi, where he's lived for the past 45 years. Tanzini is part of an Italian scene that's obsessed with Kenya—just like his friend, businessman Flavio Briatore as well as an array of ex-politicians and journalists. In the public conscious, Tanzini is presented as all manner of things: a poet, an architect, a philanthropist, an entrepreneur and philosopher, a Latin lover and—above all—an artist. There's even a song on YouTube outlining all of his humble traits:History repeats itself — Yvette Greslé (@yvettegresle)March 19, 2015
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