Photos by Joshua Shultz
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Was it frustrating for you to cut the movie such that some stuff can't make sense?Yeah, yeah. There's absolutely stuff I'd like to put back into the final, finished version of the film. It's still, to me, in my mind, an unfinished film. The whole project is still unfinished. You might be able to say that about—that no film is ever finished, they're just abandoned. But I really, really, really feel like Southland Tales is still unfinished. And yes, there's stuff that I would love to put back in._The whole project is still unfinished. You might be able to say that about—that no film is ever finished, they're just abandoned. But I really, really, really feel like _Southland Tales_ is still unfinished. And yes, there's stuff that I would love to put back in._
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Why have it as a dance sequence?It felt like a character sort of lamenting his status as a propaganda tool. And the Marilyn Monroe, Busby Berkeley dancers being sort of like this USO dance-routine of cheerleading the soldiers along and being caretakers, nursing him back to health. Those dancers, boy did they deliver. They were great. Because we only had one day with Justin. One long, long day.
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement