
It all started in 2007 as a good way to pay for a newspaper internship after my undergrad. Coming from a family of fishermen and having been to sea myself on cargo ships bouncing seemed like just another tough, if slightly less respectable, job on the way to better things. I had periodic success with journalism and academia over that time. I've spent time reporting from Yemen, Afghanistan and Syria, but fancy words from foreign climes and Marxist critiques are the first against the wall in an economic crisis (or at least, ironically, somewhere near the front of the queue).After two years and 50 failed job applications it's dawned on me that dragging people off dancefloors has turned into my bread and butter. Bouncing is better paid and more interesting than slaving over lattes or finger banging numbers into Excel in a stuffy office. Sometimes I question the thousands I spent on seemingly pointless degrees but it does perhaps make it easier for me to recognise and list the constituent parts required to be the monkey at the disco. Here's what you need if you want to bounce without getting your head caved in:– Empathy is most important thing and stops 90 percent of problems before they occur.– Second is the ability to express anger. If you can't do that you're fucked because nobody will do as they're told.– After that you need restraint; you'll want to hit infuriating drunk people after a while. Satisfying? Yes. Productive? No. The same goes for the romantic advances of that wasted 18-year-old who's throwing herself at you. The industry has enough image issues as it is. Remember Raoul Moat? Levi Bellfield?
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