Chicago’s 2nd Floor Rear Festival Celebrates DIY Art Spaces of All Kinds

The annual art festival brings the crowd out to experimental venues, indoors and outdoors.

Feb 21 2017, 9:01pm

This article originally appeared on Creators.

A weekend-long DIY festival titled 2nd Floor Rear showcases apartment galleries, migrant projects, and experimental collaborations taking place in various Chicago neighborhoods. From art in cars and handbags to wandering theater, walking performances, and unauthorized public art installations, the festival helps underfunded and under-appreciated alternative spaces get some exposure.

"In addition to showcasing the artwork itself, 2nd Floor Rear celebrates the local communities of artists that coalesce around the different neighborhoods, subcultures, and kinds of art being made," says Katie Waddell, 2nd Floor Rear Festival's founder and director. The festival was inspired by a network of the avant-garde artists, the Neoists, who organized international apartment festivals, and Nuit Blanche, an all-night public art festival that turns the city into a space for art installations and performances.

Audience at PiNK EYE: New Classics Vol. II, performance and video screenings curated by PiNK EYE Collective at 1618 Gallery, 2nd Floor Rear 2016, February 7, 2016. Photo: Laura Mitchell

"It's a combination of the freewheeling, avant-garde APT festival that's all about intimacy with the work and being a part of a network (and having the freedom to experiment because the work is being shown on the artists' turf) with the more structured, public facing Nuit Blanche festival that also takes place within a more condensed timeline and incorporates organizations and urban spaces," Waddell tells Creators.

WITCH Collective, we are WITCH: a ritual performance for housing rights, site-specific performance in Logan Square, 2nd Floor Rear 2016, February 6, 2016. Photo: Lynn Millspaugh

This year, the festival was focused on unpacking artists' different relationships and approaches to ritual. JCSpaceRadio at Hume Chicago transmits natural body frequencies in the form of a mobile participatory installation. Colabo invited audiences into their home to bring new rituals to their domestic space, while The Trickster Quartet's home opera uses improvisational sound and movement scores, butoh and vocal training techniques, live video feed, and glitch art to "reroute some energetic phlegm." Performance pieces by Lauren Sudbrink ( Wish Piece) and Open Heart Surgery Theatre ( In Silence From Dawn Till Dusk), both served as acts of empowerment responding to political events and their subsequent effects on communities in the US.

Kiam Marcelo Junio performing for PiNK EYE: New Classics Vol. II, performance and video screenings curated by PiNK EYE Collective at 1618 Gallery, 2nd Floor Rear 2016, February 7, 2016. Video still: Jeremy Freeberg

Since 2012, 2nd Floor Rear has shifted its mission from visual contemporary art in apartment galleries to participatory work in all kind of spaces and changing its one-day ephemeral culture to a weekend-long format. The concept of bringing the audience to truly intimate spaces where Chicago's art scene and culture originates remains the same. Says Waddell, "In Chicago, most of the major arts and culture institutions and events are concentrated downtown, in high-traffic tourist areas, but, one could argue, most of the local culture is made out in Chicago's neighborhoods, and each neighborhood has a very different thing going on."

Click here to read more about 2nd Floor Rear Festival.

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