Expert Witness with Robert Christgau
Robert Christgau on Lupe Fiasco, Meek Mill, Lil Wayne, and Vince Staples
The Dean of American Rock Critics dives into a clutch of recent hip-hop releases.
Robert Christgau on CupcakKe's Literotica and Leikeli47's Smokescreens
The Dean of American Rock Critics reviews CupcakKe's 'Ephorize,' 'Queen Elizabitch,' and 'Eden' alongside Leikeli47's 'Wash and Set' and 'Acrylic.'
Robert Christgau on The Goon Sax's Humble Reflections
The Dean of American Rock Critics reviews the Australian trio's 'We're Not Talking,' Mad Crush's new self-titled LP, plus recent releases from Flasher and Weakened Friends.
Robert Christgau on Sons of Kemet's Unique 'Your Queen Is a Reptile'
The Dean of American Rock Critics reviews the British jazz group's Mercury Prize-nominated LP and Doctor Nativo's recent 'Guatemaya.'
Robert Christgau on L7's Feedback-Drenched, Feminist Aggro
The Dean of American Rock Critics reviews L7's 'Fast and Frightening' and Joan Jett's 'Bad Reputation' biodoc soundtrack
Robert Christgau on Some Inventive, Alternative Hip-Hop
The Dean of American Rock Critics reviews Homeboy Sandman & Edan's 'Humble Pi' and Open Mike Eagle's 'What Happens When I Try to Relax.'
Robert Christgau on Pistol Annies' Sharp 'Interstate Gospel'
The Dean of American Rock Critics reviews the country supergroup's new LP, plus recent records from Becky Warren and Mandy Barnett.
Why It's Still Good to Me: Robert Christgau Reflects on a Half Century of Rock Criticism
The critic's new book 'Is It Still Good to Ya?' is out now.
Robert Christgau on Rich Krueger's Ambition and Paul Simon's Farewell
The Dean of American Rock Critics reviews Krueger's 'NOWThen' and Simon's 'In the Blue Light.'
Robert Christgau on a Tribute to Blue Lu Barker (and Blue Lu Herself)
The Dean of American Rock Critics reviews Maria Muldaur's 'Don't You Feel My Leg: The Naughty Bawdy Blues of Blue Lu Barker' and Barker's own 'Remastered Collection.'
Robert Christgau on Riton and Kah-Lo's Unrap
The Dean of American Rock Critics reviews Riton & Kah-Lo's 'Foreign Ororo,' the 'I'm Not Here to Hunt Rabbits' compilation, 'Next Stop Soweto Vol. 4,' and Seun Kuti & Egypt 80's 'Black Times.'
Robert Christgau on Ed Hamell's Brutal, Bastard-Bashing Fantasies
The Dean of American Rock Critics reviews Hamell on Trial's 'The Night Guy at the Apocalypse: Profiles of a Rushing Midnight,' Lyrics Born's 'Quite a Life,' Mudhoney's 'Digital Garbage,' and Will Hoge's 'My American Dream.'