"And then, what becomes apparent, is that it wasn't 'David Bowie' at all—it was just this bloke from London who didn't like Emerson, Lake & Palmer."
The fiercely experimental musician is taking over a derelict bar as part of an exhibition in Sheffield.
For the German percussionist, making music is a little bit like 'Fight Club'—you can't really talk about it.
Manfred Mohr has been making algorithmic artworks inspired by the hypercube and its many possible dimensions for nearly 40 years.
With Skid Row on shelves now, we caught up with Ferraro to talk PTSD, Boyz N the Hood and Wagenerian opera.
No samplers, no sequencers, no loopers, and no laptop. The only instrument at Michener's fingertips is a grand piano.
More white noise, less Jack Black.