In the ‘The Cormorant,' illustrator Kevin Finney creates a complex, paranoid story that spans the globe, and he’s showing the panels on his Instagram page.
The theory sounds like a paranoid conspiracy straight from pages of 'The Crying of Lot 49,' but a new article in 'Harper's Magazine' tries to make the case.
"I think it's good to think of the film as, like, that moment when you wake up in the morning and you've been drinking the night before."
Somewhere in the adapting, IV: The Film loses IV: The Book's slight-but-sly critique of ARPAnet, the progenitor of the internet.
Belladonna's fans have been wondering what she's been doing since leaving porn, and I'm sure they were shocked to see her pop up in Inherent Vice.
"Any time a new book of Pynchon's has come out—at least since I've been around—it's like I hang the 'do not disturb' sign on the door and don't come out until it's done."
Meredith Danluck sits down with the filmmaker to talk about his new surf noir, an adaptation of Thomas Pynchon's 2009 novel. He also shares an exclusive trailer.
Paul Thomas Anderson is not afraid to get weird. His latest effort happens to get weird in the sense that it seems to deliver a contact high as you're watching it.
Pynchon's cameo in the upcoming movie version of Inherent Vice will represent the first time the author has appeared in public in decades, but it's not as if the man is some kind of ghost.
Would you actually want to see an unveiled Pynchon, MF Doom, or helmet-less Daft Punk?