The Royal Hospital of Bethlehem, or Bedlam as it became known, in 1860. Photo via Bethlem Museum of the Mind
But viewed as a whole, this institution – perhaps the oldest of its kind in the world – offers a unique window onto the world of madness and mental illness. It is within this narrative that the Wellcome Collection has set its latest exhibition, "Bedlam: the asylum and beyond". Using historic and contemporary patient art, archival materials and objects, as well as new artist commissions, Bedlam explores how notions of madness have been shaped over the centuries, and how treatments and attitudes towards mental illness have changed.The exhibition also asks: what next? While the mental hospitals and psychiatric units of today might not be the inhumane "loony bins" – as they were known – that gave the asylum a bad name, they're far from perfect. A critical lack of resources means that many people with mental health problems don't get the treatment they need. And although the shackles have long been unscrewed from the walls, public perception of mental hospitals has struggled to move beyond the image of Nurse Ratched in One Flew Over the Cuckoo's Nest."The notion of asylum, that it is a safe place, is something we've lost completely and need to take back," says James Leadbitter, aka artist Vacuum Cleaner who, alongside fellow artist Hannah Hull, is trying to reclaim the true ethos of the asylum. Their project Madlove, which was started in 2014, re-imagines the asylum by asking those with lived experience of mental illness, as well as those without, what their dream asylum would look like.
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Madlove's Designer Asylum, 2016. Photo courtesy of the Wellcome Collection
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